Wednesday, May 22, 2013
One of the things I most respect about Bueller Da Don's music is his work ethic. He's always trying to push his sound, try new things and make legitimate hit songs. That's the difference between pros and joes; understanding the work. I first heard this joint back in February but he put it on the back burner until it got a proper mix and master.
The track is here now and it sounds like radio. Buell switches up his delivery a little bit to compliment the "Trap" sound that producer Klint Beastwood hooked up yet still keeps his cadence. "Gettin' Mine" is par for the course as far as these types of songs go but the head nod is undeniable.
I think this joint is on the upcoming 'Cruise 2 Fame II' project but don't quote me on that. Check the stream and download below... It's DCG or nothing, babe!
Tuesday, May 14, 2013
What do you get when you take an uptempo party song that lyrically warns of all the dangers involved in the party scene? You get F.Y.I.'s "Clap Clap." While this may sound counterproductive, it actually makes for intriguing work.
F.Y.I. is super nice with the pen. Really showcasing the poetry involved in writing raps, he puts together 3 verses that really play well over the driving "four to the floor" Afro-Cuban rhythm. He touches on street violence, sex and drugs and cleverly works them into a rapid fire delivery. It's so stylized that it's easy to miss the lyrics just listening to the flow. When you do tune in though, the content is strong.
This is a really creative and daring track. I mess wit' it heavy. Free stream and download below...
Friday, May 10, 2013
Do you remember when Stephen Curry took relative unknown Davidson to the Midwest Regional Final against powerhouse, and subsequent tournament champions, Kansas? He single handedly busted millions of tournament pick 'em brackets, including mine.
Stephen Curry is still killing 'em quietly. I mean, it's no secret that he's one of the best guards playing in the NBA today but he still doesn't have the top billing that a LeBron James or Kobe Bryant or even Chris Paul has. None of the fanfare matters however. Steph Curry comes to ball. Every. Single. Night.
Like Steph Curry, (S.K.'s example, not mine.) S.K. just came to ball in the Rap game. The noise may be here or there for this artist or that one but S.K. is a silent assassin in his own right. Sent in late yesterday for his Thursday Takeover series, "I Just Came to Ball" is another savage attack from the Philly native MC.
He has bars for days, the voice of a Spartan and an incredible ear for beats. This joint is certified Hip-Hop! Get some...
Thursday, May 9, 2013
I've been listening to a lot of down tempo music in recent weeks so this track is right on time. I had no idea what to expect going into this track. Rubie Evans is entirely new to my radar, but that is the greatest joy in doing what I do. I get all sorts of surprises that can change a moment, a day, maybe even a life.
Rubie Evans is a New York City based singer and songwriter looking to take Uptown upstage. Her single, "It's Okay" really stopped me. I was taken aback by the calm and quiet of it all. Without all of the excess, I was really able to get into the truth of the song. That is not an easy thing to do. To be this private in public is always beautiful...
...and beautiful best describes this song. Rubie does a fantastic job with this track. Though there were some technical issues for me, it didn't matter. This girl can sing and this song is dope! The melody and sentiment trump any other issues.
The track is pulled from her forthcoming 'MISSunderstood' album due this summer. No date has been set as of yet. You already know to stay tuned to RoxFontaine.com for updates. Hold on to this in the meantime...
Wednesday, May 8, 2013
These guys are sounding like the blueprint for cool. A truly original sound, creative lyricism and genuine camaraderie make for one of the most interesting independent duos in the game right now. Brandon Rossi and Villa are puttin' on for the ATL!
"Friends and Foes" is super fly. "Plair" as Villa would say. I've been covering these two for quite some time and this track really jumps out at me. Reason being, this is the first time I've heard Brandon's production devoid of his signature big pads full of reverb and/or super heavy 808 drums. This cut is perfectly quiet. Balanced and strong on groove.
As is par for the course, Villa talks super slick through the verse. I mean, only he could use crustaceans so effortlessly in a rhyme. Brandon Rossi gets his propers too. He swagged all over this with flow after flow. This is easily one of the best joints they've dropped ever.
I mess with this hardbody. Dig in y'all...